The book explores the photographic work of Moholy-Nagy, particularly his experimentation with the photogram and photoplastic techniques, which challenge the traditional perception of photography as mere representation of reality. As an influential member of the Bauhaus, Moholy-Nagy helped develop an interdisciplinary approach to art and design, combining functionality and aesthetics. The book examines his role in promoting the integration of art and industry, arguing that the artist must also be an inventor and engineer. It includes an analysis of his approach to art education, especially through his work at the Institute of Design in Chicago, where he sought to train a new generation of artists and designers capable of working with emerging technologies. Through critical essays and testimonies, the book analyzes Moholy-Nagy’s lasting impact on modern and contemporary art. His influence extends beyond the Bauhaus to industrial design, modern photography, and experimental artistic practices.